ARRI / ZEISS MASTER PRIMES
ARRI / ZEISS Master Primes – Super 35 Lenses | Available Now For Rental
Focal Lengths
18mm | 21mm | 25mm | 27mm | 32mm | 35mm | 40mm | 50mm | 65mm | 75mm | 100mm | 135mm |
ARRI / ZEISS Master Prime Super 35 Lenses – full sets, partial sets, or single lenses available to rent / sub rent from Cine Visuals
Contact us for a rental quote
ARRI / ZEISS Master Prime Lenses (S35)
- Super 35 Coverage
- 114mm Front Diameter
- Built-in Lens Data System (LDS)
- Fast T1.3 Aperture for Shallow Depth of Field
- PL Mount
TECHNICAL SPECIFICATIONS
| Focal Length | 12mm | 14mm | 16mm | 18mm | 21mm | 25mm | 27mm | 32mm | 35mm | 40mm | 50mm | 65mm | 75mm | 100mm | 135mm | 150mm |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Front Diameter | 156mm | 114mm | 114mm | 114mm | 114mm | 114mm | 114mm | 114mm | 114mm | 114mm | 114mm | 114mm | 114mm | 114mm | 114mm | 134mm |
| Close Focus (ft) | 16" | 14" | 14" | 14" | 14" | 14" | 14" | 14" | 14" | 16" | 20" | 2'3" | 2'9" | 3'6" | 3'3" | 4'11" |
| Aperture | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 |
| Weight (lb) | 6.4 | 5.3 | 4.8 | 5 | 5.3 | 5.1 | 4.8 | 5.1 | 4.8 | 5.1 | 5.9 | 5.7 | 6 | 6.2 | 6.2 | 8.8 |
| Lens Mount | PL | PL | Pl | PL | PL | PL | PL | PL | PL | PL | PL | PL | PL | PL | PL | PL |
| Focal Length | 35mm | 40mm | 50mm | 65mm | 75mm | 100mm | 135mm | 150mm |
|---|---|---|---|---|---|---|---|---|
| Front Diameter | 114mm | 114mm | 114mm | 114mm | 114mm | 114mm | 114mm | 134mm |
| Close Focus (ft) | 14" | 16" | 20" | 2'3" | 2'9" | 3'6" | 3'3" | 4'11" |
| Aperture | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 | T1.3 |
| Weight (lb) | 4.8 | 5.1 | 5.9 | 5.7 | 6 | 6.2 | 6.2 | 8.8 |
| Lens Mount | PL | PL | PL | PL | PL | PL | PL | PL |
ARRI/Zeiss Master primes have been engineered to the highest standards for both optical and mechanical design. They are the uncontested master of sharpness, contrast, and neutral rendering. With unparalleled clarity, lack of aberration, resistance to breathing and edge-to-edge sharpness, these lenses have been and continue to be the gold standard for precise, tack sharp cinematography. Nearly all these lenses are a T1.3, allowing for amazing versatility in low light situations and when striving for deep out-of-focus bokeh.
These characteristics set the framework for an image unencumbered by superfluous character, allowing for the visual language of your work to be defined by the subject and content of the work. These lenses represent a blank canvas on which to apply looks, with works ranging the gritty and atmospheric “Blade Runner 2049”, to the warm and vibrant “Tree of Life” to the colorful and grandiose “Ad Astra”. These lenses can and have been used to great effect on a myriad of aesthetic styles.
The Zeiss Master primes can be used alongside the Arri Signature Zooms, with very similar looks and resolution. Contact Cine Visual for rental information on Zeiss Master Prime and related lenses.