Sigma T1.5 FF High-Speed 5 Prime Lens Kit (FF)
Sigma T1.5 FF High-Speed Prime Lens Kit PL Mount | Available Now For Rental
Focal Lengths
20mm | 24mm | 28mm | 35mm | 40mm | 50mm | 85mm | 105mm | 135mm
Sigma Lenses full sets, partial sets, or single lenses available to rent / sub rent from Cine Visuals
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Sigma FF High Speed Prime Lens Specs
- T1.5 – T2
- Full Fame Coverage
- Compact Construction
- Designed for 6k-8k Shooting
- Flexible Lighting Adjustments
TECHNICAL SPECIFICATIONS
| Focal Length | 14mm | 20mm | 24mm | 28mm | 35mm | 40mm | 50mm | 65mm | 85mm | 105mm | 135mm |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Aperture | T2.0 - T16 | T1.5 - T16 | T1.5 - T16 | T1.5 - T16 | T1.5 - T16 | T1.5 - T16 | T1.5 - T16 | T1.5 - T16 | T1.5 - T16 | T1.5 - T16 | T2 - T16 |
| Front Diameter | 95mm | 95mm | 95mm | 95mm | 95mm | 95mm | 95mm | 95mm | 95mm | 95mm | 95mm |
| Iris Blades | 9 | 9 | 9 | 9 | 9 | 9 | 9 | 9 | 9 | 9 | 9 |
| Angular Rotation of Iris Scale | 104.3° | 84° | 73.7° | 65.5° | 54.4° | 54.4° | 39.6° | 31° | 23.9° | 19.5° | 15.2° |
| Close Focus (ft) | 11" (279mm) | 11" (282mm) | 10" (252mm) | 1' (289mm) | 1' (300mm) | 1'4" (400mm) | 1'4 (400mm) | 2'2" (650mm) | 2'10" (850mm) | 3'4" (1000mm) | 2'11" (880mm) |
| Length (mm) | 111.5mm (PL) | 110mm (PL) | 87mm (PL) | 99.7mm (PL) | 87mm (PL) | 123mm (PL) | 94mm (PL) | 120.6mm (PL) | 118.9mm (PL) | 126.2mm (PL) | 106.9mm (PL) |
| Weight (lb) | 3lb (PL) | 2.7lb (PL) | 2.3lb (PL) | 2.8lb (PL) | 2.3lb (PL) | 3.3lb (PL) | 2.7lb (PL) | TBD | 3lb (PL) | 3.8lb (PL) | 3.2lb (PL) |
| Lens Mount | PL, EF & E | PL, EF & E | PL, EF & E | PL, EF & E | PL, EF & E | PL, EF & E | PL, EF & E | PL, EF & E | PL, EF & E | PL, EF & E | PL, EF & E |
Description
These prime lenses range from 20mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance.