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ARRI Signature Zoom 24–75mm T2.8
Zoom - Spherical - Full Frame
product details
Cine Visuals rents the ARRI Signature Zoom 24-75mm T2.8 from Los Angeles. This ARRI Signature Zoom covers a 24-75mm range and serves as the core midrange option in the Signature Zoom family. Available for rental or sub-rental worldwide, with daily and weekly rental quotes available on request. Each lens is inspected and calibrated in-house before rental.
| Focal Length | 24-75mm |
| T-Stop | T2.8 |
| Close Focus | 2'6" / 0.76 m |
| Front Diameter | 114 mm |
| Weight | 8.30 lbs / 3.77 kg |
| Length | 9.60" / 243.84 mm |
| Type | Spherical |
| Format | Full Frame LF/VV |
| Lens Mount | LPL |
| Iris Blades | 11 |
| Metadata | /i, LDS |
| Era / Generation | |
| Contrast & Tonal Character | |
| Sharpness & Resolution | |
| Focus Fall-Off / Transition | |
| Iris & Bokeh Quality | |
| Flare & Highlight Behavior | |
| Handling & Ergonomics | |
| Build & Modifications | |
| Cinematic Heritage & Credits |
Lens Type:
Zoom Cinema Lenses
|
Full Frame Cinema Lenses
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About the ARRI Signature Zoom 24-75mm T2.8
The ARRI Signature Zoom 24-75mm T2.8 sits at the core of the Signature Zoom lineup, covering many of the most commonly used focal lengths in cinematic storytelling. Designed for large-format capture, it combines a constant T2.8 aperture with strong optical consistency, natural contrast, pleasing skin tones, and smooth focus falloff. This lens is often the backbone of a production, offering the flexibility to move between wider environmental shots and tighter, character-driven framing. Its balance of range and performance makes it a dependable tool for cinematographers who need to adapt quickly without compromising image quality.
What This Focal Length Is Built For
The 24-75mm range is built for versatility. At the wider end, it provides environmental context while maintaining a natural perspective that avoids the exaggeration of ultra-wide lenses. This makes it useful for dialogue scenes, master shots, and grounded storytelling where spatial relationships matter. Moving into the mid or normal range, the lens offers a neutral, human-eye perspective that feels intimate and unobtrusive, making it well suited for coverage, over-the-shoulders, and character interaction.
At the longer end, the lens begins to isolate subjects with subtle compression, making it effective for portraits and emotional beats without stepping into full telephoto territory. This flexibility allows cinematographers to reframe quickly during takes, especially in fast-paced environments or when working with limited time for lens changes. The lens is especially valuable for handheld, Steadicam, or documentary-style work where changing lenses can disrupt momentum. The 24-75mm ultimately excels as an all-purpose range, bridging wide and telephoto sensibilities while maintaining a cohesive cinematic look.
How It Fits Within the ARRI Signature Zoom Family
Within the ARRI Signature Zoom family, the 24-75mm acts as the central hub, bridging the gap between the wide-focused 16-32mm and the more telephoto-oriented 45-135mm. It overlaps with both neighboring lenses, giving productions flexibility in lens selection while maintaining continuity in look and feel. This makes it one of the most commonly deployed zooms in the series, often staying on the camera for extended portions of a shoot.
Its role is to handle the majority of standard coverage, including dialogue, medium shots, and general-purpose framing, while the wider and longer lenses step in for more specialized needs. Since the 24-75mm shares the same color rendering, contrast profile, and mechanical design as its siblings, transitions between lenses remain visually consistent. For productions aiming to streamline their workflow, the 24-75mm often becomes the anchor lens, supported by the 16-32mm for wider perspectives and the 45-135mm or 65-300mm for tighter framing.
Technical Specs Table
T-Stop
Type
Format
Front Diameter
Lens Mount
Metadata
Close Focus (ft)
Close Focus (m)
Weight (lbs)
Weight (kg)
Length (in)
Length (mm)
Iris Blades
Image Circle
Front Filter
Rear Filter
Horizontal Angle of View (Full Frame)
Horizontal Angle of View (S35)
Focus Rotation
T2.8
Spherical
Full Frame LF/VV
156 mm
LPL
/i, LDS
1'6"
0.46 m
7.00 lbs
3.18 kg
8.40"
213.36 mm
11
46 mm
–
Magnetic Rear Net Holder
–
–
–
T2.8
Spherical
Full Frame LF/VV
114 mm
LPL
/i, LDS
2'6"
0.76 m
8.30 lbs
3.77 kg
9.60"
243.84 mm
11
46 mm
–
Magnetic Rear Net Holder
–
–
–
T2.8
Spherical
Full Frame LF/VV
114 mm
LPL
/i, LDS
3'4"
1.02 m
8.30 lbs
3.77 kg
11.80"
299.72 mm
11
46 mm
–
Magnetic Rear Net Holder
–
–
–
T2.8
Spherical
Full Frame LF/VV
156 mm
LPL
/i, LDS
6'
1.83 m
17.00 lbs
7.71 kg
16.50"
419.10 mm
11
46 mm
–
Magnetic Rear Net Holder
–
–
–
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