Loading cart...
Set Includes
- AngΓ©nieux Optimo Ultra 12x 24β290mm T2.8
- AngΓ©nieux Optimo Ultra 12x 26β320mm T3.5
- AngΓ©nieux Optimo Ultra 12x 36β435mm T4.2
AngΓ©nieux Optimo Ultra 12x
Zoom - Spherical - Full Frame LF/VV
product details
Cine Visuals rents the AngΓ©nieux Optimo Ultra 12x zoom lens from Los Angeles. This LPL / PL-mount zoom supports 24-290mm in Super 35, 26-320mm in Ultra 35, and 36-435mm in Full Frame configuration. Available for rental or sub-rental worldwide, with daily and weekly rental quotes available on request. Each lens is inspected and calibrated in-house before rental.
Set Includes
- AngΓ©nieux Optimo Ultra 12x 24β290mm T2.8
- AngΓ©nieux Optimo Ultra 12x 26β320mm T3.5
- AngΓ©nieux Optimo Ultra 12x 36β435mm T4.2
| Type | - |
| Format | - |
| Lens Mount | - |
| Iris Blades | - |
| Metadata | - |
| Per Focal Length | |
| Focal Length | - |
| T-Stop | - |
| Close Focus | - |
| Front Diameter | - |
| Weight | - |
| Length | - |
| Era / Generation | |
| Contrast & Tonal Character | |
| Sharpness & Resolution | |
| Focus Fall-Off / Transition | |
| Iris & Bokeh Quality | |
| Flare & Highlight Behavior | |
| Handling & Ergonomics | |
| Build & Modifications | |
| Cinematic Heritage & Credits |
*Refer to the Technical Specifications table
Lens Type:
Zoom Cinema Lenses
|
Full Frame Cinema Lenses
|
PL Mount Cinema Lenses
About the AngΓ©nieux Optimo Ultra 12x Cinema Lens
The AngΓ©nieux Optimo Ultra 12x is a long range cinema zoom designed to deliver consistent image quality across multiple formats while maintaining the flexibility of a variable focal length system. Built as the evolution of the original 24-290mm, it offers balanced contrast, strong sharpness, and controlled distortion throughout its zoom range, making it a reliable choice for high end narrative and studio production.
A defining feature of the Ultra 12x is its modular optical system, which allows the lens to be configured for Super 35 or full frame coverage while preserving a consistent visual character. This adaptability, combined with minimal breathing, smooth focus transitions, and precise mechanics, makes it a versatile tool for productions that need to move quickly without compromising image quality.
Image Fidelity & Focus
The AngΓ©nieux Optimo Ultra 12X Zoom is designed to behave like a βvariable prime,β offering pleasing imagery even wide open. Renowned for a balanced cinematic aesthetic, it offers solid resolution and moderate contrast across its zoom range without veering into overly clinical territory. Itβs characterized by low distortion, minimal zoom ramping, and negligible focus breathing β all critical for smooth reframing and focus pulls. Aspherical elements help mitigate chromatic aberration.
Flare & Bokeh
Coatings effectively control flare and ghosting. Background falloff is naturally smooth, and bokeh retains a creamy, rounded quality owing to the internal optics and T-stop design.
Handling & Adaptability
While optically versatile, the Ultra 12X comes with substantial heft and size. In S35 mode, it weighs 27.7 lb (12.6 kg) and is 18.6β³ (472mm) long. The FF/VV configuration pushes that to 28.1 lb (12.75 kg) at 20.6β³ (523mm). Despite the bulk, the design incorporates ergonomic enhancements, including lightweight materials in moving parts, anti-abrasion coatings, improved airflow, and dust traps for durability. An impressively long 321Β° focus rotation and more than 70 focus marks enable precision operation, ideal for detailed focus work.
Image Circle
AngΓ©nieuxβs patented IRO (Interchangeable Rear Optics) means the lens can be reconfigured for three sensor sizes: 31.1mm (S35), 34.6mm (U35), and 46.3mm (FF/VV) image circles. This modularity makes it compatible with a wide spectrum of cameras, from traditional Super 35 systems to modern large-format digital systems. In Super 35 (S35) mode, it covers 24-290mm at T2.8, a compact and bright long-zoom solution. Swapping the rear optics shifts it to Ultra 35 (U35), which covers 26-320mm at T3.1 with a slightly larger image circle. Finally, to support Full Frame/VistaVision (FF/VV), the kit extends to 36-435mm at T4.2, delivering a cinematic βvariable primeβ look across ultra-telephoto ranges.
Cinematic Heritage
The AngΓ©nieux Optimo Ultra 12X Zoom is the successor to AngΓ©nieuxβs workhorse Optimo 24-290mm and 28-340mm zooms. It was introduced around 2017β2018 to bring a next-generation modular long-range zoom solution to the rising demand for large-format production. Used most notably on Gladiator II, directed by Ridley Scott and photographed by John Mathieson, BSC.
Technical Specs Table
T-Stop
Type
Format
Front Diameter
Lens Mount
Metadata
Close Focus (ft)
Close Focus (m)
Weight (lbs)
Weight (kg)
Length (in)
Length (mm)
Iris Blades
Image Circle
Front Filter
Rear Filter
Horizontal Angle of View (Full Frame)
Horizontal Angle of View (S35)
Focus Rotation
T2.8
Spherical
Super 35
162 mm
LPL, PL
β
4'
1.20 m
27.70 lbs
12.56 kg
18.60"
472.44 mm
9
31.1 mm
β
β
β
β
321Β°
T3.1
Spherical
Ultra 35
162 mm
LPL, PL
β
4'1"
1.24 m
28.10 lbs
12.75 kg
18.90"
480.00 mm
9
34.6 mm
β
β
β
β
321Β°
T4.2
Spherical
Full Frame LF/VV
162 mm
LPL, PL
β
5'
1.50 m
28.10 lbs
12.75 kg
20.60"
523.24 mm
9
46.3 mm
β
β
β
β
321Β°
PROJECTS SHOT WITH
AngΓ©nieux Optimo Ultra 12x Zoom
Guardians of the Galaxy Vol. 3 (2023)
Director: James Gunn
DP: Henry Braham
Lenses: AngΓ©nieux Optimo Ultra 12x Zoom
Godzilla Minus One (2023)
Director: Takashi Yamazaki
DP: KΓ΄zΓ΄ Shibasaki
Lenses: AngΓ©nieux Optimo Ultra 12x Zoom
Superman (2025)
Director: James Gunn
DP: Henry Braham
Lenses: AngΓ©nieux Optimo Ultra 12x Zoom
Train Dreams (2025)
Director: Clint Bentley
DP: Adolpho Veloso
Lenses: AngΓ©nieux Optimo Ultra 12x Zoom
The Running Man (2025)
Director: Edgar Wright
DP: Chung Chung-hoon
Lenses: AngΓ©nieux Optimo Ultra 12x Zoom
LENS TESTS
Professional Cinema Lens Service You Can Trust
Our in-house, manufacturer-certified lens technicians provide precise inspection, calibration, and repair for cinema lenses. Contact us to schedule your lenses for service.
RELATED PRODUCTS
