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Set Includes
- AngΓ©nieux Optimo Prime 18mm T2.0
- AngΓ©nieux Optimo Prime 21mm T1.8
- AngΓ©nieux Optimo Prime 24mm T1.8
- AngΓ©nieux Optimo Prime 28mm T1.8
- AngΓ©nieux Optimo Prime 32mm T1.8
- AngΓ©nieux Optimo Prime 40mm T1.8
- AngΓ©nieux Optimo Prime 50mm T1.8
- AngΓ©nieux Optimo Prime 60mm T1.8
- AngΓ©nieux Optimo Prime 75mm T1.8
- AngΓ©nieux Optimo Prime 100mm T1.8
- AngΓ©nieux Optimo Prime 135mm T1.8
- AngΓ©nieux Optimo Prime 200mm T2.2
AngΓ©nieux Optimo Primes
Prime - Spherical - Full Frame
product details
Cine Visuals rents the AngΓ©nieux Optimo Full Frame prime lens set from Los Angeles. This 12-lens PL-mount set includes 18mm, 21mm, 24mm, 28mm, 32mm, 40mm, 50mm, 60mm, 75mm, 100mm, 135mm, and 200mm. Available for rental or sub-rental worldwide, with daily and weekly rental quotes available on request. Each lens is inspected and calibrated in-house before rental.
Set Includes
- AngΓ©nieux Optimo Prime 18mm T2.0
- AngΓ©nieux Optimo Prime 21mm T1.8
- AngΓ©nieux Optimo Prime 24mm T1.8
- AngΓ©nieux Optimo Prime 28mm T1.8
- AngΓ©nieux Optimo Prime 32mm T1.8
- AngΓ©nieux Optimo Prime 40mm T1.8
- AngΓ©nieux Optimo Prime 50mm T1.8
- AngΓ©nieux Optimo Prime 60mm T1.8
- AngΓ©nieux Optimo Prime 75mm T1.8
- AngΓ©nieux Optimo Prime 100mm T1.8
- AngΓ©nieux Optimo Prime 135mm T1.8
- AngΓ©nieux Optimo Prime 200mm T2.2
| Type | - |
| Format | - |
| Lens Mount | - |
| Iris Blades | - |
| Metadata | - |
| Per Focal Length | |
| Focal Length | - |
| T-Stop | - |
| Close Focus | - |
| Front Diameter | - |
| Weight | - |
| Length | - |
| Era / Generation | |
| Contrast & Tonal Character | |
| Sharpness & Resolution | |
| Focus Fall-Off / Transition | |
| Iris & Bokeh Quality | |
| Flare & Highlight Behavior | |
| Handling & Ergonomics | |
| Build & Modifications | |
| Cinematic Heritage & Credits |
*Refer to the Technical Specifications table
Lens Type:
Full Frame Cinema Lenses
|
PL Mount Cinema Lenses
About the AngΓ©nieux Optimo Prime Cinema Lenses
The AngΓ©nieux Optimo Primes are a modern full frame cinema lens series designed to extend the look and performance of Optimo zooms into a high speed prime system. They deliver a clean, neutral image with balanced contrast, natural color reproduction, and smooth tonal transitions, making them well suited for productions that require consistency across both prime and zoom workflows.
A key advantage of the Optimo Primes is their adaptability. With interchangeable iris and optical configurations, cinematographers can adjust the character of the image from sharp and precise to softer and more expressive without changing lenses. Combined with full frame coverage, fast apertures, and consistent mechanics across the set, they provide a flexible, production ready solution for narrative, commercial, and multi format projects.
Β
Β
Image Fidelity & Focus
Optically, the look is modern-neutral: high resolution and contrast with uniform color, designed to be a blank canvas that can be shaped in camera. Characterized by high resolution/contrast and uniform colorimetry, the series offers Integrated Optical Palette: user-swappable elements that let users alter character inside the lens, including interchangeable iris units (including oval/3-blade for stylized bokeh), internal glass elements for texture, and a rear filter slot. Results range from crisp, high-fidelity images to gentler roll-off, richer halation, or anamorphic-style bokeh without leaving the Optimo ecosystem. Contrast is clean and consistent rather than flamboyant; sharpness holds well into the corners on FF; color fringing is well-suppressed for a neutral grade; falloff is gentle and flattering; and multi-coatings keep veiling flare in check while allowing attractive, controllable streaks when provoked.
Handling & Adaptability
Each lens is relatively compact for full-frame glass, with weights ranging from about 2.3 to 3.5 kg (5β7 lb) depending on focal length. This makes them light enough for handheld, Steadicam, gimbal, and drone use, but still robust enough for studio setups. The housings are balanced, with smooth rotation and stability that make operating them less fatiguing across long shoots. The lenses feature 300Β° focus rotation, providing precise control with a long, smooth throw. Focus and iris gears are standardized across the set, meaning accessories like follow-focus, wireless systems, and matte boxes do not need repositioning between lens changes. Witness marks are engraved and highly visible on both sides of the lens for quick reference. Front diameters are standardized at 114 mm, simplifying matte box, filter, and accessory use. The Optimo Primes also support Cooke/i technology and metadata protocols.
Flare & Bokeh
Bokeh is smooth and cinematic. Contrast is moderate with pleasing tonal roll-off. Sharpness is high without harshness. Flares are subtle and organic.
Image Circle
Full frame, approximately 46.3 mm.
Cinematic Heritage
Announced at Cannes in 2019, the line was developed with Band Pro and Jebsen β considered the first line of primes from AngΓ©nieux in 70 years.
Technical Specs Table
T-Stop
Type
Format
Front Diameter
Lens Mount
Metadata
Close Focus (ft)
Close Focus (m)
Weight (lbs)
Weight (kg)
Length (in)
Length (mm)
Iris Blades
Image Circle
Front Filter
Rear Filter
Horizontal Angle of View (Full Frame)
Horizontal Angle of View (S35)
Focus Rotation
T2.0
Spherical
Full Frame LF/VV
95 mm
PL
/i, LDS
1'2"
0.35 m
4.20 lbs
1.90 kg
6.30"
160.00 mm
9
46.3 mm
β
β
β
β
320Β°
T1.8
Spherical
Full Frame LF/VV
95 mm
PL
/i, LDS
1'2"
0.35 m
4.20 lbs
1.90 kg
5.50"
139.70 mm
9
46.3 mm
β
β
β
β
320Β°
T1.8
Spherical
Full Frame LF/VV
95 mm
PL
/i, LDS
1'2"
0.35 m
3.75 lbs
1.70 kg
5.00"
127.00 mm
9
46.3 mm
β
β
β
β
320Β°
T1.8
Spherical
Full Frame LF/VV
95 mm
PL
/i, LDS
1'2"
0.35 m
3.75 lbs
1.70 kg
5.00"
127.00 mm
9
46.3 mm
β
β
β
β
320Β°
T1.8
Spherical
Full Frame LF/VV
95 mm
PL
/i, LDS
1'2"
0.35 m
3.75 lbs
1.70 kg
5.00"
127.00 mm
9
46.3 mm
β
β
β
β
320Β°
T1.8
Spherical
Full Frame LF/VV
95 mm
PL
/i, LDS
1'2"
0.35 m
3.75 lbs
1.70 kg
5.00"
127.00 mm
9
46.3 mm
β
β
β
β
320Β°
T1.8
Spherical
Full Frame LF/VV
95 mm
PL
/i, LDS
1'4"
0.40 m
3.75 lbs
1.70 kg
5.00"
127.00 mm
9
46.3 mm
β
β
β
β
320Β°
T1.8
Spherical
Full Frame LF/VV
95 mm
PL
/i, LDS
1'8"
0.50 m
3.75 lbs
1.70 kg
5.00"
127.00 mm
9
46.3 mm
β
β
β
β
320Β°
T1.8
Spherical
Full Frame LF/VV
95 mm
PL
/i, LDS
2'
0.60 m
3.75 lbs
1.70 kg
5.00"
127.00 mm
9
46.3 mm
β
β
β
β
320Β°
T1.8
Spherical
Full Frame LF/VV
95 mm
PL
/i, LDS
2'4"
0.70 m
3.90 lbs
1.77 kg
5.00"
127.00 mm
9
46.3 mm
β
β
β
β
320Β°
T1.8
Spherical
Full Frame LF/VV
95 mm
PL
/i, LDS
3'3"
0.99 m
4.40 lbs
2.00 kg
5.50"
139.70 mm
9
46.3 mm
β
β
β
β
320Β°
T2.2
Spherical
Full Frame LF/VV
114 mm
PL
/i, LDS
4'
1.20 m
5.10 lbs
2.30 kg
7.50"
190.50 mm
9
46.3 mm
β
β
β
β
320Β°
PROJECTS SHOT WITH
AngΓ©nieux Optimo Primes
Daisy Jones and the Six (Series) (2023)
Director: James Ponsoldt
DP: Checco Varese
Lenses: AngΓ©nieux Optimo Primes
The Pitt (Series) (2026)
Director: Created by R. Scott Gemmill
DP: Johanna Coelho
Lenses: AngΓ©nieux Optimo Primes
El Eternauta (Series) (2025)
Director: Bruno Stagnaro
DP: Gaston Girod
Lenses: AngΓ©nieux Optimo Primes
It's Whats Inside (2024)
Director: Greg Jardin
DP: Kevin Fletcher
Lenses: AngΓ©nieux Optimo Primes
Air (2023)
Director: Ben Affleck
DP: Robert Richardson
Lenses: AngΓ©nieux Optimo Ultra Compact Zooms
2050 (2019)
Director: Kristof Van Den Bergh
DP: Pieter Van Alphen
Lenses: AngΓ©nieux Optimo Ultra Compact Zooms
Friendship (2024)
Director: Andrew DeYoung
DP: Andy Drydzewski
Lenses: AngΓ©nieux Optimo Ultra Compact Zooms
Flo (2023)
Director: Geraldiine Danon
DP: Pierre Milon
Lenses: AngΓ©nieux Optimo Ultra Compact Zooms
Le Routard (2025)
Director: Philippe Mechelen
DP: Stephane Le Parc
Lenses: AngΓ©nieux Optimo Ultra Compact Zooms
Professional Cinema Lens Service You Can Trust
Our in-house, manufacturer-certified lens technicians provide precise inspection, calibration, and repair for cinema lenses. Contact us to schedule your lenses for service.
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