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Set Includes
- AngΓ©nieux EZ-1 30β90mm T2.0
- AngΓ©nieux EZ-1 45β135mm T3.0
- AngΓ©nieux EZ-2 15β40mm T2.0
- AngΓ©nieux EZ-2 22β60mm T3.0
- AngΓ©nieux EZ-3 45β165mm T2.3
- AngΓ©nieux EZ-3 68β250mm T3.5
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AngΓ©nieux EZ Zooms
Zoom - Spherical - FF & S35
product details
Cine Visuals rents AngΓ©nieux EZ Zoom lens packages from Los Angeles. These PL-mount zoom packages include EZ1 in 30-90mm Super 35 or 45-135mm Full Frame configuration, EZ2 in 15-40mm Super 35 or 22-60mm Full Frame configuration, and EZ3 in 45-165mm Super 35 or 68-250mm Full Frame configuration. Available for rental or sub-rental worldwide, with daily and weekly rental quotes available on request. Each lens is inspected and calibrated in-house before rental.
| Type | - |
| Format | - |
| Lens Mount | - |
| Iris Blades | - |
| Metadata | - |
| Per Focal Length | |
| Focal Length | - |
| T-Stop | - |
| Close Focus | - |
| Front Diameter | - |
| Weight | - |
| Length | - |
| Era / Generation | |
| Contrast & Tonal Character | |
| Sharpness & Resolution | |
| Focus Fall-Off / Transition | |
| Iris & Bokeh Quality | |
| Flare & Highlight Behavior | |
| Handling & Ergonomics | |
| Build & Modifications | |
| Cinematic Heritage & Credits |
*Refer to the Technical Specifications table
Lens Type:
Zoom Cinema Lenses
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Full Frame Cinema Lenses
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PL Mount Cinema Lenses
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About the AngΓ©nieux EZ Zoom Cinema Lenses
The AngΓ©nieux EZ Zooms are lightweight, versatile cinema zoom lenses designed to deliver high-end optical performance in a flexible, production-friendly system. Known for their smooth, cinematic rendering, they produce natural skin tones, pleasing contrast, and gentle focus fall-off, maintaining the classic AngΓ©nieux look while minimizing distortion, breathing, and chromatic aberration. Their image quality rivals many prime lenses, making them a practical choice for fast-paced shooting environments.
A defining feature of the EZ series is its modular design, allowing each lens to switch between Super 35 and Full Frame/VistaVision configurations by changing the rear optical block. This adaptability, combined with compact size, consistent mechanics, and strong close-focus performance, makes the EZ Zooms ideal for handheld, gimbal, and studio work across a wide range of modern camera systems.
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Image Fidelity & Focus
Known for their smooth, cinematic rendering, the EZ Zooms produce natural, flattering skin tones, pleasing contrast, gentle focus fall-off, and minimal breathing, with the classic AngΓ©nieux warmth and dimensionality prized by cinematographers. There is no color aberration, even wide open, and like almost all modern AngΓ©nieux zooms, virtually no focus breathing.
Handling & Adaptability
In Super 35 configuration, the EZ-1 offers T2.0 and the EZ-2 T2.0; in full-frame mode, both shift to T3.0, and will cover ARRI Alexa LF, RED Raptor 8K VV and Sony Venice/Venice2. The EZ-3 in FF mode is T3.5-4.5. Compact and lightweight for their class, EZ zooms are ideal for handheld, Steadicam, and gimbal work, yet robust enough for feature films and broadcast productions. With precise mechanics, standard 0.8 pitch gear rings, and consistent front diameters, the EZ series lenses are flexible and durable. Users can easily interchange between PL, RF, EF, and E mounts.
Flare & Bokeh
Flaring is subtle and controlled, but still present and quite beautiful. Bokeh is very soft and smooth, especially wide open.
Image Circle
Each lens features a rear optical block that can be swapped to convert between Super 35 and full-frame/VistaVision coverage, changing both focal length range and aperture while maintaining consistent image quality.
Cinematic Heritage
The AngΓ©nieux EZ series zooms were introduced in 2016. AngΓ©nieux has been at the forefront of innovation in cinema technology since the 1930s, when Pierre AngΓ©nieux worked with French director and pioneer Abel Gance. Today, Pierre AngΓ©nieux is generally credited as the inventor of the modern zoom or variable focal length lens.
Technical Specs Table
T-Stop
Type
Format
Front Diameter
Lens Mount
Metadata
Close Focus (ft)
Close Focus (m)
Weight (lbs)
Weight (kg)
Length (in)
Length (mm)
Iris Blades
Image Circle
Front Filter
Rear Filter
Horizontal Angle of View (Full Frame)
Horizontal Angle of View (S35)
Focus Rotation
T2.0
Spherical
Super 35
114 mm
E, EF, PL, RF
β
2'
0.6 m
4.70 lbs
2.10 kg
8.90"
227.00 mm
9
30.4 mm
β
β
β
β
300Β°
T3.0
Spherical
Full Frame LF/VV
114 mm
E, EF, PL, RF
β
2'
0.6 m
4.50 lbs
2.00 kg
8.90"
227.00 mm
9
46.3 mm
β
β
β
β
300Β°
T2.0
Spherical
Super 35
114 mm
E, EF, PL, RF
β
2'
0.6 m
4.70 lbs
2.10 kg
8.26"
209.80 mm
9
30.4 mm
β
β
β
β
300Β°
T3.0
Spherical
Full Frame LF/VV
114 mm
E, EF, PL, RF
β
2'
0.6 m
4.60 lbs
2.08 kg
8.26"
209.80 mm
9
46.3 mm
β
β
β
β
300Β°
T2.3
Spherical
Super 35
114 mm
E, EF, PL, RF
β
2'
1.2 m
5.70 lbs
2.60 kg
10.43"
264.90 mm
9
30.4 mm
β
β
β
β
300Β°
T3.5
Spherical
Full Frame LF/VV
114 mm
E, EF, PL, RF
β
2'
1.2 m
5.70 lbs
2.60 kg
10.43"
264.90 mm
9
46.3 mm
β
β
β
β
300Β°
Links & Downloads
PROJECTS SHOT WITH
AngΓ©nieux EZ Zooms
Napoleon (2023)
Director: Ridley Scott
DP: Dariusz Wolski
Lenses: AngΓ©nieux EZ Zooms
Guardians of the Galaxy Vol. 3 (2023)
Director: James Gunn
DP: Henry Braham
Lenses: AngΓ©nieux EZ Zooms
The Ministry of Ungentlemanly Warfare (2024)
Director: Guy Ritchie
DP: Ed Wild
Lenses: AngΓ©nieux EZ Zooms
Squid Game Season 2 (2025)
Director: Hwang Dong-hyuk
Lenses: AngΓ©nieux EZ Zooms
Gladiator 2 (2024)
Director: Ridley Scott
DP: John Mathieson
Lenses: AngΓ©nieux EZ Zooms
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