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Set Includes
- Sony FE PZ 16โ35mm F4 G
- Sony FE PZ 28โ135mm F4 G OSS
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Sony G Series Power Zooms
Prime - Spherical - Full Frame
product details
The Sony G Series Power Zooms combine refined optical performance with professional control for todayโs hybrid and digital cinema workflows. Covering key focal ranges with the 16โ35mm F4 and 28โ135mm F4, these lenses deliver sharp, contrast-rich images across full-frame sensors while maintaining consistent exposure throughout the zoom range. Their servo-driven power zoom mechanisms provide smooth, precise focal transitions ideal for handheld, gimbal, or Steadicam operation. Both lenses feature advanced coatings to minimize flare and ghosting, minimal focus breathing, and seamless integration with Sonyโs E-mount cameras for autofocus, iris, and metadata control. Built for versatility and reliability, the Sony G Series Power Zooms offer professional image quality and mechanical precision in compact, production-ready housings. Available to rent or sub-rent from Cine Visuals.
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| Cinematic Heritage & Credits |
*Refer to the Technical Specifications table
Lens Type:
Zoom Cinema Lenses
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Full Frame Cinema Lenses
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Blogs
About the Sony G Series Power Zoom Cinema Lenses
Sonyโs G Series Power Zooms with the Sony FE PZ 16-35mm F4 G and Sony FE PZ 28-135mm F4 G OSS represent a hybrid philosophy where stills lens portability meets cinema-driven functionality. Designed with motion in mind, both lenses integrate electronically controlled power zoom systems that deliver smooth, repeatable zooms essential for modern single shooter production workflows. The 28-135mm, originally developed as a dedicated video lens, introduced Sonyโs Smooth Motion Optics concept minimizing breathing, image shift, and focal drift during zooming. The 16-35mm extends this philosophy into a lighter, more compact form factor, ideal for gimbal and handheld use while maintaining a constant F4 aperture. Together, they cover a practical Full Frame range from ultra-wide to telephoto, offering a unified look and consistent operational feel. These lenses are not traditional cinema zooms, but they occupy a compelling middle ground of bringing cine-style control and reliability into accessible, adaptable packages for contemporary filmmakers.
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Image Fidelity & Focus
Both lenses prioritize controlled, predictable imaging over purely photographic character. Sonyโs Smooth Motion Optics design reduces focus breathing and maintains consistent framing during focus pulls and zooms which are key for cinematic continuity. The 28-135mm employs internal focusing and motor-driven systems to deliver quiet, responsive operation, with minimal image shift during zoom. The 16-35mm complements this with modern autofocus performance and refined optical design, producing clean, neutral imagery suited for grading. Rather than emphasizing stylization, these lenses aim for reliability and consistency. Focus transitions are smooth and controlled, supporting both manual operation and hybrid autofocus workflows making them well-suited for productions where precision and repeatability take precedence over expressive optical quirks.
Handling & Adaptability
Handling is where the G Series Power Zooms distinguish themselves. The 28-135mm offers a true cine-style interface with three independent rings and a variable-speed power zoom rocker, enabling precise control over zoom speed and direction. Its larger form factor, integrated tripod collar, and robust build make it ideal for shoulder rigs and studio setups. In contrast, the 16-35mm is optimized for mobility. Its compact design and lighter weight make it a natural fit for gimbal work, drones, and handheld shooting, while still retaining power zoom functionality. One lens favoring stability and range, the other agility and portability allowing operators to adapt quickly across different shooting environments without sacrificing control.
Flare & Bokeh
The rendering of the G Series Power Zooms leans toward neutrality and control rather than overt stylization. Flare is generally well-managed, with coatings designed to suppress unwanted artifacts and maintain contrast which is particularly important in documentary and broadcast environments. Bokeh remains clean and consistent, aided by rounded aperture designs, though it is not the defining characteristic of either lens. Instead, the emphasis is on maintaining a balanced, unobtrusive background separation that supports the subject without drawing attention to optical effects. This restrained approach aligns with the lensesโ broader philosophy of dependable, production-ready imaging that integrates seamlessly into a wide range of visual styles, rather than imposing a distinct or exaggerated optical signature.
Image Circle
Both lenses are designed to fully cover Full-Frame sensors, ensuring compatibility across Sonyโs cinema and mirrorless lineup. The 28-135mm delivers consistent coverage with minimal vignetting and is equally suited to Super 35 modes, where it maintains sharpness and performance across the frame. The 16-35mm extends this versatility into the ultra-wide range, offering expansive coverage without compromising edge performance. This makes it particularly effective for establishing shots, interiors, and dynamic camera movement. Their shared Full-Frame image circle ensures seamless integration across multiple camera bodies and shooting formats, supporting productions that move between Full-Frame and smaller formats while maintaining a consistent visual language.
Cinematic Heritage
Sonyโs power zoom lineage is deeply tied to its digital cinema ecosystem, particularly the evolution of E-mount cameras in documentary, broadcast, and run-and-gun production. The 28-135mm was conceived alongside early cinema-oriented bodies, positioning itself as one of the first Full Frame power zooms built specifically for video capture. Its design reflects traditional ENG and cinema zoom ergonomics with dedicated rings for focus, iris, and zoom while introducing electronic precision and repeatability. The 16-35mm carries this DNA forward in a more compact, modernized form, aligning with todayโs lightweight camera systems. Together, they echo Sonyโs broader approach of blending broadcast practicality with mirrorless flexibility, resulting in tools that feel equally at home on documentary rigs, gimbals, or stripped-back handheld builds.
Technical Specs Table
T-Stop
Type
Format
Front Diameter
Lens Mount
Metadata
Close Focus (ft)
Close Focus (m)
Weight (lbs)
Weight (kg)
Length (in)
Length (mm)
Iris Blades
Image Circle
Front Filter
Rear Filter
Horizontal Angle of View (Full Frame)
Horizontal Angle of View (S35)
Focus Rotation
F4.0
Spherical
Full Frame LF/VV
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E
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9.4"
0.24 m
0.78 lbs
0.35 kg
3.50"
88.10 mm
7
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72 mm
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F4.0
Spherical
Full Frame LF/VV
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E
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1.3'
0.40 m
2.68 lbs
1.22 kg
6.40"
162.50 mm
9
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95 mm
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Sony G Series Power Zooms
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