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- Nikon Nikkor AI-S 15mm T4.0
- Nikon Nikkor AI-S 20mm T2.8
- Nikon Nikkor AI-S 24mm T2.0
- Nikon Nikkor AI-S 35mm T1.4
- Nikon Nikkor AI-S 50mm T1.2
- Nikon Nikkor AI-S 58mm T1.2
- Nikon Nikkor AI-S 85mm T1.4
- Nikon Nikkor AI-S 105mm T1.8
- Nikon Nikkor AI-S 135mm T2.0
- Nikon Nikkor AI-S 200mm
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Nikon Nikkor AI-SZero Optik
Prime - Spherical - Full Frame
product details
Nikon Nikkor AI-S primes are adapted from Nikon professional still photography lenses of the late 1970s and 1980s, considered to be among the highest-performing and most reliable SLR lenses ever produced. Rehoused by Zero Optik, they gain cine functionality while maintaining their distinct rendering, which balances crisp technical performance with subtle personality. Cinematographers use them in any situation that calls for ruggedness, portability, and classic Nikon rendering – a clean and fast look with no distracting imperfections. Focal lengths for this set are 15mm, 20mm, 24mm, 28mm, 35mm, 45mm, 50mm, 55mm, 58mm, 85mm, 105mm, 135mm, and 200mm. Nikkor AI-S lenses are available to rent or sub-rent from Cine Visuals in full sets, partial sets, or as single lenses.
- Nikon Nikkor AI-S 15mm T4.0
- Nikon Nikkor AI-S 20mm T2.8
- Nikon Nikkor AI-S 24mm T2.0
- Nikon Nikkor AI-S 35mm T1.4
- Nikon Nikkor AI-S 50mm T1.2
- Nikon Nikkor AI-S 58mm T1.2
- Nikon Nikkor AI-S 85mm T1.4
- Nikon Nikkor AI-S 105mm T1.8
- Nikon Nikkor AI-S 135mm T2.0
- Nikon Nikkor AI-S 200mm
| Set Includes |
15mm – 200mm (10 Lenses)
|
| Type | - |
| Format | - |
| Lens Mount | - |
| Iris Blades | - |
| Metadata | - |
| Per Focal Length | |
| Focal Length | - |
| T-Stop | - |
| Close Focus | - |
| Front Diameter | - |
| Weight | - |
| Length | - |
| Era / Generation | |
| Contrast & Tonal Character | |
| Sharpness & Resolution | |
| Focus Fall-Off / Transition | |
| Iris & Bokeh Quality | |
| Flare & Highlight Behavior | |
| Handling & Ergonomics | |
| Build & Modifications | |
| Cinematic Heritage & Credits |
*Refer to the Technical Specifications table
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Matching Items
Blogs
Image Fidelity & Focus
Nikkor AI-S primes are admired for their unique rendering and clean, high-contrast look compared to Canon FDs or Minolta Rokkors. They deliver strong sharpness in the center with natural edge roll-off, but with less micro contrast than most primes, which works well for skin tones. Contrast is gentle, but higher than that of most vintage glass, producing crisp images with a neutral or slightly cool tone. Falloff is smooth. Highlights tend to have a slight glow, and the faster lenses can deliver gentle halation, unique blooming effects and aberrations when shot wide-open.
Flare & Bokeh
Flares are soft but expressive, and more restrained than Soviet or Canon glass. Bokeh is smooth and pleasing, with natural circular highlights, though not as creamy as vintage European glass.
Handling & Adaptability
Zero Optik’s rehousings provide cine-standard mechanics: PL mounts, robust housings, uniform gearing, and consistent fronts with a 95mm front diameter. While heavier than the originals, they are lightweight and compact compared to modern primes, making them versatile for handheld and Steadicam setups.
Image Circle
Rehoused Nikon Nikkor AI-S primes cover full frame sensors.
Cinematic Heritage
Nikon introduced the AI-S series in 1977 as part of an evolution in professional still photography optics. Known for durability and optical excellence, these lenses became popular among photojournalists.
Blogs
Image Fidelity & Focus
Nikkor AI-S primes are admired for their unique rendering and clean, high-contrast look compared to Canon FDs or Minolta Rokkors. They deliver strong sharpness in the center with natural edge roll-off, but with less micro contrast than most primes, which works well for skin tones. Contrast is gentle, but higher than that of most vintage glass, producing crisp images with a neutral or slightly cool tone. Falloff is smooth. Highlights tend to have a slight glow, and the faster lenses can deliver gentle halation, unique blooming effects and aberrations when shot wide-open.
Handling & Adaptability
Zero Optik’s rehousings provide cine-standard mechanics: PL mounts, robust housings, uniform gearing, and consistent fronts with a 95mm front diameter. While heavier than the originals, they are lightweight and compact compared to modern primes, making them versatile for handheld and Steadicam setups.
Flare & Bokeh
Flares are soft but expressive, and more restrained than Soviet or Canon glass. Bokeh is smooth and pleasing, with natural circular highlights, though not as creamy as vintage European glass.
Image Circle
Rehoused Nikon Nikkor AI-S primes cover full frame sensors.
Cinematic Heritage
Nikon introduced the AI-S series in 1977 as part of an evolution in professional still photography optics. Known for durability and optical excellence, these lenses became popular among photojournalists.
Technical Specs Table
T-Stop
Type
Format
Front Diameter
Lens Mount
Metadata
Close Focus (ft)
Close Focus (m)
Weight (lbs)
Weight (kg)
Length (in)
Length (mm)
Iris Blades
Image Circle
Front Filter
Rear Filter
Horizontal Angle of View (Full Frame)
Horizontal Angle of View (S35)
Focus Rotation
T4.0
Spherical
Full Frame LF/VV
114 mm
PL
–
1'
0.30 m
1.20 lbs
0.54 kg
–
–
–
–
–
–
–
–
–
T2.8
Spherical
Full Frame LF/VV
95 mm
PL
–
10"
0.25 m
1.50 lbs
0.68 kg
–
–
–
–
–
–
–
–
–
T2.0
Spherical
Full Frame LF/VV
95 mm
PL
–
1'
0.30 m
1.80 lbs
0.82 kg
–
–
–
–
–
–
–
–
–
T1.4
Spherical
Full Frame LF/VV
95 mm
PL
–
1'
0.30 m
1.10 lbs
0.50 kg
–
–
–
–
–
–
–
–
–
T1.2
Spherical
Full Frame LF/VV
95 mm
PL
–
11"
0.28 m
1.20 lbs
0.54 kg
–
–
–
–
–
–
–
–
–
T1.2
Spherical
Full Frame LF/VV
95 mm
PL
–
1'1"
0.33 m
2.20 lbs
1.00 kg
–
–
–
–
–
–
–
–
–
T1.4
Spherical
Full Frame LF/VV
95 mm
PL
–
2'10"
0.86 m
2.70 lbs
1.22 kg
–
–
–
–
–
–
–
–
–
T1.8
Spherical
Full Frame LF/VV
95 mm
PL
–
2'6"
0.76 m
2.50 lbs
1.13 kg
–
–
–
–
–
–
–
–
–
T2.0
Spherical
Full Frame LF/VV
95 mm
PL
–
4'
1.22 m
2.10 lbs
0.95 kg
–
–
–
–
–
–
–
–
–
–
Spherical
Full Frame LF/VV
–
PL
–
–
–
–
–
–
–
–
–
–
–
–
–
–
Blogs
Links & Downloads
LENS TESTS
Professional Cinema Lens Service You Can Trust
Our in-house, manufacturer-certified lens technicians provide precise inspection, calibration, and repair for cinema lenses. Contact us to schedule your lenses for service.
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