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Olympus OM Zero Optik
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- Olympus OM 18mm T3.8
- Olympus OM 21mm T2.2
- Olympus OM 24mm T2.2
- Olympus OM 28mm T2.2
- Olympus OM 35mm T2.1
- Olympus OM 40mm T2.2
- Olympus OM 50mm T1.3
- Olympus OM 50mm Macro T2.2
- Olympus OM 55mm T1.6
- Olympus OM 60mm T1.6
- Olympus OM 70mm T2.2
- Olympus OM 85mm T2.1
- Olympus OM 90mm Macro T2.1
- Olympus OM 100mm T2.1
- Olympus OM 135mm T2.9
- Olympus OM 180mm T2.9
- Olympus OM 250mm
- Olympus OM 350mm
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Olympus OM Zero Optik
Prime - Spherical - Full Frame
product details
The Zero Optik Olympus Primes are a set of 18 spherical still photography lenses from the 1970s which have been rehoused by Zero Optic, with focal lengths ranging from 18mm to 350mm. These are unique among photo lenses for their combination of compact size, and consistent performance. They produce sharp images with warm and smooth flares, and bloomy highlights even when rendering sharp centers. They offer Full Frame and S35 coverage, T1.2 max aperture as well as PL, LPL & EF mounts. These lenses are a popular choice among film and photography enthusiasts because of their clear image quality, warm gentle flares, and undeniable character, and it translates perfectly to cinema work. With recent work including FX’s “Atlanta” it's easy to see what kind of stunning results can be had from leaning into the character of these lenses. For a zoom counterpart, these can be paired with the Angenieux EZ Zooms. These lenses are available to rent or sub-rent from Cine Visuals in full sets, partial sets, or as single lenses.
| Focal Length | |
| T-Stop | |
| Type | |
| Format | |
| Front Diameter | |
| Lens Mount | |
| Metadata | |
| Iris Blades | |
| Image Circle |
| Era / Generation | |
| Contrast & Tonal Character | |
| Sharpness & Resolution | |
| Focus Fall‑Off / Transition | |
| Iris & Bokeh Quality | |
| Flare & Highlight Behavior | |
| Handling & Ergonomics | |
| Build & Modifications | |
| Cinematic Heritage & Credits |
*Refer to Technical Specifications table. Not the same for all focal lengths.
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Technical Specs Table
Focal Length
18mm
21mm
24mm
28mm
35mm
40mm
50mm
50mm
55mm
60mm
70mm
85mm
90mm
100mm
135mm
180mm
250mm
350mm
T-Stop
Type
Format
Front Diameter
Lens Mount
Metadata
Close Focus (ft)
Close Focus (m)
Weight (lbs)
Weight (kg)
Length (in)
Length (mm)
Iris Blades
Image Circle
Front Filter
Rear Filter
Horizontal Angle of View (Full Frame)
Horizontal Angle of View (S35)
Focus Rotation
T3.8
Spherical
Full Frame
114 mm
PL, LPL, EF
–
10"
0.25 m
1.34 lbs
0.61 kg
–
–
–
–
–
–
–
–
–
T2.2
Spherical
Full Frame
95 mm
PL, LPL, EF
–
8"
0.20 m
1.34 lbs
0.61 kg
–
–
–
–
–
–
–
–
–
T2.2
Spherical
Full Frame
95 mm
PL, LPL, EF
–
10"
0.25 m
1.63 lbs
0.74 kg
–
–
–
–
–
–
–
–
–
T2.2
Spherical
Full Frame
95 mm
PL, LPL, EF
–
1'
0.30 m
1.57 lbs
0.71 kg
–
–
–
–
–
–
–
–
–
T2.1
Spherical
Full Frame
95 mm
PL, LPL, EF
–
9"
0.23 m
1.43 lbs
0.65 kg
–
–
–
–
–
–
–
–
–
T2.2
Spherical
Full Frame
95 mm
PL, LPL, EF
–
11"
0.28 m
1.34 lbs
0.61 kg
–
–
–
–
–
–
–
–
–
T1.3
Spherical
Full Frame
95 mm
PL, LPL, EF
–
11"
0.28 m
1.81 lbs
0.82 kg
–
–
–
–
–
–
–
–
–
T2.2
Spherical
Full Frame
95 mm
PL, LPL, EF
–
9"
0.23 m
1.74 lbs
0.79 kg
–
–
–
–
–
–
–
–
–
T1.6
Spherical
Full Frame
95 mm
PL, LPL, EF
–
1'
0.30 m
–
–
–
–
–
–
–
–
–
–
–
T1.6
Spherical
Full Frame
95 mm
PL, LPL, EF
–
1'2"
0.36 m
1.76 lbs
0.80 kg
–
–
–
–
–
–
–
–
–
T2.2
Spherical
Full Frame
95 mm
PL, LPL, EF
–
1'6"
0.46 m
1.72 lbs
0.78 kg
–
–
–
–
–
–
–
–
–
T2.1
Spherical
Full Frame
95 mm
PL, LPL, EF
–
2'11"
0.89 m
2.09 lbs
0.95 kg
–
–
–
–
–
–
–
–
–
T2.1
Spherical
Full Frame
95 mm
PL, LPL, EF
–
1'4"
0.41 m
–
–
–
–
–
–
–
–
–
–
–
T2.1
Spherical
Full Frame
95 mm
PL, LPL, EF
–
2'4"
0.71 m
2.54 lbs
1.15 kg
–
–
–
–
–
–
–
–
–
T2.9
Spherical
Full Frame
95 mm
PL, LPL, EF
–
2'10"
0.86 m
2.25 lbs
1.02 kg
–
–
–
–
–
–
–
–
–
T2.9
Spherical
Full Frame
95 mm
PL, LPL, EF
–
4'10"
1.47 m
3.68 lbs
1.67 kg
–
–
–
–
–
–
–
–
–
–
Spherical
Full Frame
–
PL, LPL, EF
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
Spherical
Full Frame
–
PL, LPL, EF
–
–
–
–
–
–
–
–
–
–
–
–
–
–
Image Performance
Handling & Adaptability
The inclusion of a single aspheric optical element makes it visually compatible with both the multi-aspheric Leica Summilux-C and the spherical Leica Summicron-C primes. With nine lenses in six groups and apochromatic correction, outstanding resolution and contrast can be achieved all the way to the edge of the frame.
Iris - Bokeh - Flare
Image Circle
Cinematic Heritage
Links & Downloads
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LENS TESTS
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