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Cooke Anamorphic 2.0x
Cooke Anamorphic 2.0x
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- Cooke Anamorphic SF 2.0x 25mm T2.3
- Cooke Anamorphic SF 2.0x 32mm T2.3
- Cooke Anamorphic SF 2.0x 40mm T2.3
- Cooke Anamorphic SF 2.0x 50mm T2.3
- Cooke Anamorphic SF 2.0x 65mm Macro T2.6
- Cooke Anamorphic SF 2.0x 75mm T2.3
- Cooke Anamorphic SF 2.0x 100mm T2.3
- Cooke Anamorphic SF 2.0x 135mm T2.3
- Cooke Anamorphic SF 2.0x 180mm T2.8
- Cooke Anamorphic SF 2.0x 300mm T3.5
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Cooke Anamorphic 2.0x
Prime - 2.0x Anamorphic - Super 35
product details
Cooke Anamorphic 2x Prime lenses are designed to cover the Super35+ format (Arri OpenGate 3.4k) and provide the classic anamorphic characteristics sought after by professional filmmakers. There are 10 focal lengths available: 25mm, 32mm, 40mm, 50mm, 65mm Macro, 75mm, 100mm, 135mm, 180mm, and 300mm. These lenses have a 2x anamorphic squeeze, a T2.3 aperture (except the 65mm, 180mm, and 300mm), and a PL mount with /i technology lens data.
The lenses are offered in two versions: the “Standard” version has minimal lens flares, while the “SF” version has coatings that give a more pronounced classic blue horizontal flare. These anamorphic lenses incorporate the “Cooke Look” while still tastefully correcting for aberrations and distortion. These lenses produce an exceptionally clean anamorphic image without entirely removing the anamorphic character and imperfections that people love. With 10 choices of focal lengths, and two sub-sets of “Standard” or “SF”, there's little that cannot be achieved with the Cooke 2x anamorphics, especially considering its spectacular Cooke 2x Zoom counterpart. Striving for a similar look or performance on LF? Try the Cooke 1.8x. These lenses are available to rent or sub-rent from Cine Visuals in full sets, partial sets, or as single lenses.
| Focal Length | |
| T-Stop | |
| Type | |
| Format | |
| Front Diameter | |
| Lens Mount | |
| Metadata | |
| Iris Blades | |
| Image Circle |
| Era / Generation | |
| Contrast & Tonal Character | |
| Sharpness & Resolution | |
| Focus Fall‑Off / Transition | |
| Iris & Bokeh Quality | |
| Flare & Highlight Behavior | |
| Handling & Ergonomics | |
| Build & Modifications | |
| Cinematic Heritage & Credits |
*Refer to Technical Specifications table. Not the same for all focal lengths.
Matching Items
Technical Specs Table
Focal Length
25mm
32mm
40mm
50mm
65mm
75mm
100mm
135mm
180mm
300mm
T-Stop
Type
Format
Front Diameter
Lens Mount
Metadata
Close Focus (ft)
Close Focus (m)
Weight (lbs)
Weight (kg)
Length (in)
Length (mm)
Iris Blades
Image Circle
Front Filter
Rear Filter
Horizontal Angle of View (Full Frame)
Horizontal Angle of View (S35)
Focus Rotation
T2.3
Anamorphic
Super 35
136 mm
PL
/i
2'9"
0.84 m
9.26 lbs
4.20 kg
8.00"
203.20 mm
11
31.1 mm
Screw-in Filter: M131 × 0.75
–
–
–
300°
T2.3
Anamorphic
Super 35
110 mm
PL
/i
2'9"
0.84 m
7.10 lbs
3.22 kg
7.68"
195.07 mm
11
31.1 mm
–
–
–
–
300°
T2.3
Anamorphic
Super 35
110 mm
PL
/i
2'9"
0.84 m
7.50 lbs
3.40 kg
7.68"
195.07 mm
11
31.1 mm
Screw-in Filter: M105 × 0.75
–
–
–
300°
T2.3
Anamorphic
Super 35
110 mm
PL
/i
2'9"
0.84 m
7.90 lbs
3.58 kg
7.68"
195.07 mm
11
31.1 mm
Screw-in Filter: M105 × 0.75
–
–
–
300°
T2.6
Anamorphic
Super 35
136 mm
PL
/i
18"
0.46 m
11.50 lbs
5.21 kg
10.10"
256.54 mm
11
31.1 mm
Screw-in Filter: M131 × 0.75
–
–
–
300°
T2.3
Anamorphic
Super 35
110 mm
PL
/i
3'3"
0.99 m
7.10 lbs
3.22 kg
7.68"
195.07 mm
11
31.1 mm
Screw-in Filter: M105 × 0.75
–
–
–
300°
T2.3
Anamorphic
Super 35
110 mm
PL
/i
3'8"
1.12 m
7.50 lbs
3.40 kg
7.68"
195.07 mm
11
31.1 mm
Screw-in Filter: M105 × 0.75
–
–
–
300°
T2.3
Anamorphic
Super 35
110 mm
PL
/i
4'8"
1.42 m
9.30 lbs
4.22 kg
7.68"
195.07 mm
11
31.1 mm
Screw-in Filter: M105 × 0.75
–
–
–
300°
T2.8
Anamorphic
Super 35
110 mm
PL
/i
6'6"
1.98 m
12.80 lbs
5.80 kg
11.65"
295.91 mm
11
31.1 mm
Screw-in Filter: M105 × 0.75
–
–
–
300°
T3.5
Anamorphic
Super 35
136 mm
PL
/i
10'
3.05 m
20.70 lbs
9.39 kg
14.88"
377.95 mm
11
31.1 mm
Screw-in Filter: M131 × 0.75
–
–
–
300°
Image Performance
Handling & Adaptability
The inclusion of a single aspheric optical element makes it visually compatible with both the multi-aspheric Leica Summilux-C and the spherical Leica Summicron-C primes. With nine lenses in six groups and apochromatic correction, outstanding resolution and contrast can be achieved all the way to the edge of the frame.
Iris - Bokeh - Flare
Image Circle
Cinematic Heritage
Links & Downloads
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LENS TESTS
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