- Cooke Anamorphic/i 1.8x 32mm T2.3
- Cooke Anamorphic/i 1.8x 40mm T2.3
- Cooke Anamorphic/i 1.8x 50mm T2.3
- Cooke Anamorphic/i 1.8x 75mm T2.3
- Cooke Anamorphic/i 1.8x 85mm Macro T2.8
- Cooke Anamorphic/i 1.8x 100mm T2.3
- Cooke Anamorphic/i 1.8x 135mm T2.3
- Cooke Anamorphic/i 1.8x 180mm T2.9
Cooke Anamorphic/i 1.8x
Prime - 1.8x Anamorphic - Full Frame
product details
Cooke Anamorphic/i Full Frame Plus 1.8x lenses unite the timeless artistry of classic anamorphic design with the precision and flexibility demanded by modern full-frame cinematography. They deliver the unmistakable Cooke Lookโwarm, dimensional, and emotionally richโwhile maintaining sharpness, smooth falloff, and natural highlight behavior across large-format sensors. The 1.8x squeeze ratio was specifically engineered to achieve a true anamorphic image with oval bokeh and cinematic depth, producing aspect ratios of 2.39:1 or 2.7:1 without heavy cropping. Designed for reliability and optical consistency across the range, these lenses bring organic character to todayโs high-resolution workflows. A full Cooke Anamorphic/i 1.8x set includes 32mm, 40mm, 50mm, 65mm (Macro), 75mm, 100mm, 135mm, and 180mm focal lengths. Available to rent or sub-rent from Cine Visuals.
- Cooke Anamorphic/i 1.8x 32mm T2.3
- Cooke Anamorphic/i 1.8x 40mm T2.3
- Cooke Anamorphic/i 1.8x 50mm T2.3
- Cooke Anamorphic/i 1.8x 75mm T2.3
- Cooke Anamorphic/i 1.8x 85mm Macro T2.8
- Cooke Anamorphic/i 1.8x 100mm T2.3
- Cooke Anamorphic/i 1.8x 135mm T2.3
- Cooke Anamorphic/i 1.8x 180mm T2.9
| Set Includes |
32mm โ 180mm (8 Lenses)
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| Iris Blades | - |
| Metadata | - |
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| T-Stop | - |
| Close Focus | - |
| Front Diameter | - |
| Weight | - |
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| Era / Generation | |
| Contrast & Tonal Character | |
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| Iris & Bokeh Quality | |
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| Handling & Ergonomics | |
| Build & Modifications | |
| Cinematic Heritage & Credits |
*Refer to the Technical Specifications table
Blogs
Image Fidelity & Focus
Looking through the Cooke Anamorphic 1.8x FF lenses, the impression is immediate and deeply familiar to anyone who has spent time with Cooke glass. The image feels alive. Resolution is strong and well suited to modern high resolution sensors, yet it never feels brittle or over sharpened. There is a softness at the edges of contrast that gives highlights a gentle roll and allows skin tones to breathe. The Cooke Look remains intact, now infused with the spatial character of anamorphic optics.
Handling & Adaptability
Physically, the Cooke Anamorphic 1.8x FF lenses are unapologetically robust. Wider focal lengths often carry a front diameter of 136mm, while much of the set standardizes around 110mm. This consistency is a quiet advantage on set. Matte boxes are easily taken off and put back on. Filter changes are predictable. Lens swaps become faster and more efficient, which directly benefits the pace of production. The housings themselves are built with Cookeโs characteristic attention to ergonomics. Focus rotation extends to a generous 270ยบ, giving focus pullers the room for precision. The resistance is smooth and deliberate, allowing for controlled, repeatable pulls. Aperture adjustments feel equally refined, enabling subtle exposure changes without disrupting the shot. Integrated Cooke/i Technology provides real time lens metadata, feeding information directly into the camera system and simplifying workflows for post production and eliminating the troublesome nature of anamorphics for VFX mapping. There is weight here, certainly, but it is balanced weight. On a tripod or dolly, the lenses feel stable and grounded. On handheld or stabilized rigs, they are a bit heaveir but reward that effort with consistency and reliability. These lenses are tools designed for professional environments where predictability matters. Their size reflects their capability, and their design ensures that capability translates into a smoother, more efficient on set experience.
Flare & Bokeh
When a strong light source enters the frame, horizontal streaks appear, stretching across the image with a clarity that feels intentional rather than chaotic. These flares are not overly aggressive. Instead, they respond to light with a quiet confidence, adding atmosphere without sacrificing control. The coatings play a crucial role in shaping this behavior. Cooke has tuned the coatings to maintain contrast even in challenging lighting conditions. Bokeh carries the unmistakable signature of the 1.8x squeeze, that classic ovular bokeh, but with a bit of restraint as compared to a full 2x squeeze anamorphic. In the center of the frame, these shapes are smooth and rounded, with soft edges that give them a creamy, almost liquid quality. Toward the edges, they begin to elongate and tilt, introducing a subtle sense of motion within the background.
Image Circle
The Cooke Anamorphic 1.8x FF lenses are designed specifically for Full-Frame sensor size. With a diagonal image circle of 46.3mm, they comfortably exceed the 43.3mm requirement for most Full-Frame coverage. Cameras such as the ARRI Alexa LF, ARRI Alexa Mini LF, Sony Venice, and RED V-Raptor all fall well within this range. The choice of a 1.8x squeeze is central to this design. It allows the lenses to maximize the use of the Full Frame sensor while producing a widescreen image that feels natural and balanced but maintaining the classic anamorphic look that people are familiar with.
Cinematic Heritage
The Cooke Anamorphic 1.8x FF lenses were born from the evolution of modern Full Frame digital sensors, inspired by formats like VistaVision, were becoming increasingly common. Cinematographers wanted the scale and resolution of larger sensors but still craved the language of anamorphic capture. Traditional 2x anamorphic lenses were often too aggressive for these formats, requiring heavy cropping or introducing optical compromises at the edges. Cookeโs answer was the 1.8x squeeze. It sits in a carefully chosen middle ground, wide enough to deliver unmistakable anamorphic character, yet refined enough to fully embrace the geometry of Full Frame capture.
Technical Specs Table
Blogs
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