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Aria Impressionism
Aria Impressionism










๏ปฟ
- Aria Impressionism 39mm T2.6
- Aria Impressionism 50mm T2.6
- Aria Impressionism 55mm T2.6
- Aria Impressionism 70mm T2.6
- Aria Impressionism 85mm T2.6
- Aria Impressionism 90mm Macro T2.6
- Aria Impressionism 105mm T2.6
- Aria Impressionism 140mm T2.6
- Aria Impressionism 190mm T2.6
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Aria Impressionism
Prime - 2x Anamorphic - Full Frame
product details
Aria Impressionism 2x Anamorphic FF Primes are a boutique series of cinema lenses designed in the 2010s to bring expressive, painterly character back into anamorphic filmmaking. Unlike modern anamorphics that are engineered for perfection, the Aria Impressionism lenses are deliberately crafted to emphasize character that recalls the Impressionist painting style. They are rehoused and expanded versions of the legendary Zeiss/Arri Master Anamorphics, and each lens in the set has an aperture of T2.6. The Aria Impressionism set is available to rent or sub-rent from Cine Visuals in nine focal lengths, with more coming soon.
Focal Length | |
T-Stop | |
Type | |
Format | |
Front Diameter | |
Lens Mount | |
Metadata | |
Iris Blades | |
Image Circle |
Era / Generation | |
Contrast & Tonal Character | |
Sharpness & Resolution | |
Focus FallโOff / Transition | |
Iris & Bokeh Quality | |
Flare & Highlight Behavior | |
Handling & Ergonomics | |
Build & Modifications | |
Cinematic Heritage & Credits |
*Refer to Technical Specifications table. Not the same for all focal lengths.
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Technical Specs Table
Aria Impressionism
Image Fidelity & Focus
Featuring unique characteristics in color reproduction, light and shadow representation, and flare, Aria Impressionism Primes have moderate sharpness in the center but soften toward the edges, evoking vintage anamorphic glass. Contrast is gentle, giving images a more romantic, analog feel. Focus falloff is pronounced, enhancing subject isolation. Chromatic aberrations are present, but instead of being corrected, they are embraced as part of the aesthetic.
Handling & Adaptability
Though artisanal in design, the Aria lenses are rehoused into cine-standard mechanics, featuring PL mounts, standardized gears, and robust housings. They are heavier than spherical primes but lighter than some vintage anamorphic rehousings, making them manageable for narrative work. A classic anamorphic aesthetic without requiring rare, rental-only glass.
Flare & Bokeh
The lenses flare boldly, producing horizontal streaks and veiling glare reminiscent of 1970s anamorphics. Bokeh is distinctly oval, elongating highlights in the vertical direction and lending a painterly quality to backgrounds.
Image Circle
A 44mm image circle makes these lenses compatible with full frame and large format cameras including the Alexa 65, Alexa Mini LF, Sony Venice 2, and the Red V-Raptor.
Cinematic Heritage
The Aria series was born from the resurgence of anamorphic cinematography in the 2010s, when digital cameras made widescreen aesthetics accessible to more productions. Aria Impressionism primes have been used in independent films, music videos, and commercials seeking a nostalgic, stylized anamorphic look. They are particularly popular with directors and cinematographers who want to evoke a dreamy, impressionistic mood.
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