- TLS Mamiya 645 17mm T3.3
- TLS Mamiya 645 19mm T3.0
- TLS Mamiya 645 25mm T2.8
- TLS Mamiya 645 32mm T2.3
- TLS Mamiya 645 39mm T2.3
- TLS Mamiya 645 50mm T2.3
- TLS Mamiya 645 57mm T2.3
- TLS Mamiya 645 78mm T2.3
- TLS Mamiya 645 107mm T2.2
- TLS Mamiya 645 150mm T2.9
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Mamiya 645 TLS Lenses
Prime - Spherical - Medium (65)
product details
AVAILABLE WITH OR WITHOUT SPEED BOOSTER.
Cine Visuals rents the Mamiya 645 TLS 65mm-format vintage prime lens set from Los Angeles. This 10-lens PL-mount set includes 17mm, 19mm, 25mm, 32mm, 39mm, 50mm, 57mm, 78mm, 107mm, and 150mm. Available for rental or sub-rental worldwide, with daily and weekly rental quotes available on request. Each lens is inspected and calibrated in-house before rental.
- TLS Mamiya 645 17mm T3.3
- TLS Mamiya 645 19mm T3.0
- TLS Mamiya 645 25mm T2.8
- TLS Mamiya 645 32mm T2.3
- TLS Mamiya 645 39mm T2.3
- TLS Mamiya 645 50mm T2.3
- TLS Mamiya 645 57mm T2.3
- TLS Mamiya 645 78mm T2.3
- TLS Mamiya 645 107mm T2.2
- TLS Mamiya 645 150mm T2.9
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*Refer to the Technical Specifications table
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About the Mamiya 645 TLS Cinema Lenses
Mamiya 645 TLS primes bring medium-format optics into cinema, delivering a distinctive look defined by rich color, gentle contrast, and smooth, painterly rendering. Based on Mamiya Sekor medium-format glass and rehoused by TLS, they retain their original character while gaining reliable cine mechanics for professional use.
Their imaging emphasizes softness over clinical sharpness, with natural edge falloff and a depth that enhances subject separation and skin tone reproduction. The optional speed booster expands their versatility, enabling faster apertures and full-frame coverage while maintaining the signature medium-format aesthetic. These lenses are often chosen for projects seeking a refined, organic image with a subtle sense of scale and cinematic depth.
Image Fidelity & Focus
The Mamiya 645 Sekor C lenses feature a multi-layer coating and sharp optics from corner to corner โ bridging the classic vintage look and modern optical designs. Contrast is moderate, with a soft, organic look that tempers the sharpness of modern digital sensors. Sharpness is strongest in the center, with natural edge falloff that enhances subject isolation. Focus falloff is smooth, adding to a three-dimensional feel. Chromatic aberrations are visible wide open but add to the vintage charm.
Flare & Bokeh
Flares are bold, organic and often ghostly, producing rainbow arcs under direct light. Bokeh is creamy, rounded and three-dimensional, benefiting from the medium-format optics.
Handling & Adaptability
TLS rehousing transforms these still lenses into full cine tools, with LPL mounts, geared rings, and standardized housings. While the original lenses were fragile, rehoused versions are robust and production-ready. They cover full-frame sensors easily, and in some cases extend to larger formats, making them highly adaptable to modern cinema cameras. Weights range from 2.85 to 3.95 pounds.
Image Circle
Mamiya 645 Primes are highly adaptable, covering Full Frame (in speed booster mode) and larger formats up to medium format image circles (without the speed booster).
Cinematic Heritage
Mamiya introduced the 645 camera system in 1975, targeting professional still photographers who wanted a portable medium-format solution. Rediscovered by cinematographers in the 2010s during the vintage glass revival, these lenses were rehoused by TLS to preserve their character while ensuring reliability for cinema.
Technical Specs Table
Links & Downloads
PROJECTS SHOT WITH
Mamiya 645 TLS
Director: Tahaab Rais
DP: Marvin Schatz
Lenses: Mamiya 645 TLS
Director: Hari Sama
DP: Alfredo Altamirano
Lenses: Mamiya 645 TLS
Director: Mariana Rondรณn
DP: Alfredo Altamirano
Lenses: Mamiya 645 TLS


