Nikon Nikkor

8mm Fisheye

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Nikon Nikkor 8mm T2.8 Fisheye

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Nikon Nikkor

8mm Fisheye

Prime - Spherical - Super 35

product details

The Nikkor 8mm Fisheye is a specialty lens prized for its dramatic 180° angle of view and bold distortion effects, making it a favorite for creative cinematography. Originally developed by Nikon for still photography, this ultra-wide lens has been adapted for cinema use, offering full-frame coverage with a circular image that transforms space into striking, immersive visuals. Its extreme field of view allows cinematographers to capture environments in a way no other lens can, from surreal perspectives to highly stylized sequences. While unmistakably unconventional, the Nikkor 8mm Fisheye is valued for its ability to bring energy and impact to music videos, commercials, and experimental projects. Compact yet visually powerful, it remains one of the most distinctive optics available to filmmakers. Available to rent or sub-rent from Cine Visuals.

Focal Length
T-Stop
Type
Format
Front Diameter
Lens Mount
Metadata
Iris Blades
Image Circle

Era / Generation
Contrast & Tonal Character
Sharpness & Resolution
Focus Fall‑Off / Transition
Iris & Bokeh Quality
Flare & Highlight Behavior
Handling & Ergonomics
Build & Modifications
Cinematic Heritage & Credits

*Refer to Technical Specifications table. Not the same for all focal lengths.

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Technical Specs Table

T-Stop

Type

Format

Front Diameter

Lens Mount

Metadata

Close Focus (ft)

Close Focus (m)

Weight (lbs)

Weight (kg)

Length (in)

Length (mm)

Iris Blades

Image Circle

Front Filter

Rear Filter

Horizontal Angle of View (Full Frame)

Horizontal Angle of View (S35)

Focus Rotation

T2.8

Spherical

Super 35

–

0.23 m

3.00 lbs

1.36 kg

–

Image Performance

Handling & Adaptability

The inclusion of a single aspheric optical element makes it visually compatible with both the multi-aspheric Leica Summilux-C and the spherical Leica Summicron-C primes. With nine lenses in six groups and apochromatic correction, outstanding resolution and contrast can be achieved all the way to the edge of the frame.