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ARRI Zeiss Ultra Primes
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- ARRI Zeiss Ultra Prime 8R 8mm T2.8
- ARRI Zeiss Ultra Prime 12mm T2.0
- ARRI Zeiss Ultra Prime 14mm T1.9
- ARRI Zeiss Ultra Prime 16mm T1.9
- ARRI Zeiss Ultra Prime 20mm T1.9
- ARRI Zeiss Ultra Prime 24mm T1.9
- ARRI Zeiss Ultra Prime 28mm T1.9
- ARRI Zeiss Ultra Prime 32mm T1.9
- ARRI Zeiss Ultra Prime 40mm T1.9
- ARRI Zeiss Ultra Prime 50mm T1.9
- ARRI Zeiss Ultra Prime 65mm T1.9
- ARRI Zeiss Ultra Prime 85mm T1.9
- ARRI Zeiss Ultra Prime 100mm T1.9
- ARRI Zeiss Ultra Prime 135mm T1.9
- ARRI Zeiss Ultra Prime 180mm T1.9
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ARRI Zeiss Ultra Primes
Prime - Spherical - Super 35
product details
The ARRI/ZEISS Ultra Prime lenses are renowned for their exceptional image quality, delivering outstanding contrast, resolution, and color fidelity. These lenses offer unparalleled versatility through choice, with 16 focal lengths, with highly incremental focal choices. The Zeiss Ultra Primes have become an industry titan, not through brash features or “obvious” aesthetics, but through a highly meditated design and philosophy. Relied on for their wealth of options, exception close focus performance, and unmistakable Zeiss rendering. The Zeiss Ultra Primes lenses are designed to pair perfectly and match optically with Zeiss Master Prime lenses, and work exceptionally well with Arri Signature Zooms. Rent the Zeiss Ultra Primes, Master Primes, or Arri Signature zooms in full or partial sets from Cine Visuals.
| Focal Length | |
| T-Stop | |
| Type | |
| Format | |
| Front Diameter | |
| Lens Mount | |
| Metadata | |
| Iris Blades | |
| Image Circle |
| Era / Generation | |
| Contrast & Tonal Character | |
| Sharpness & Resolution | |
| Focus Fall‑Off / Transition | |
| Iris & Bokeh Quality | |
| Flare & Highlight Behavior | |
| Handling & Ergonomics | |
| Build & Modifications | |
| Cinematic Heritage & Credits |
*Refer to Technical Specifications table. Not the same for all focal lengths.
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Technical Specs Table
Focal Length
8mm
12mm
14mm
16mm
20mm
24mm
28mm
32mm
40mm
50mm
65mm
85mm
100mm
135mm
180mm
T-Stop
Type
Format
Front Diameter
Lens Mount
Metadata
Close Focus (ft)
Close Focus (m)
Weight (lbs)
Weight (kg)
Length (in)
Length (mm)
Iris Blades
Image Circle
Front Filter
Rear Filter
Horizontal Angle of View (Full Frame)
Horizontal Angle of View (S35)
Focus Rotation
T2.8
Spherical
Super 35
134 mm
PL
LDS
1'2"
0.35 m
4.40 lbs
2.00 kg
5.10"
130.00 mm
9
31.1 mm
–
–
–
–
270°
T2.0
Spherical
Super 35
156 mm
PL
LDS
12"
0.30 m
4.40 lbs
2.00 kg
5.50"
140.00 mm
9
31.1 mm
–
–
–
–
270°
T1.9
Spherical
Super 35
114 mm
PL
LDS
9"
0.22 m
4.00 lbs
1.80 kg
4.40"
112.00 mm
9
31.1 mm
–
–
–
–
270°
T1.9
Spherical
Super 35
95 mm
PL
LDS
10"
0.25 m
2.60 lbs
1.20 kg
3.70"
94.00 mm
9
31.1 mm
–
–
–
–
270°
T1.9
Spherical
Super 35
95 mm
PL
LDS
11"
0.28 m
2.60 lbs
1.20 kg
3.60"
91.60 mm
9
31.1 mm
–
–
–
–
270°
T1.9
Spherical
Super 35
95 mm
PL
LDS
12"
0.30 m
2.20 lbs
1.00 kg
3.60"
91.60 mm
9
31.1 mm
–
–
–
–
270°
T1.9
Spherical
Super 35
95 mm
PL
LDS
11"
0.28 m
2.20 lbs
1.00 kg
3.60"
91.60 mm
9
31.1 mm
–
–
–
–
270°
T1.9
Spherical
Super 35
95 mm
PL
LDS
1'2"
0.35 m
2.40 lbs
1.10 kg
3.60"
91.60 mm
9
31.1 mm
–
–
–
–
270°
T1.9
Spherical
Super 35
95 mm
PL
LDS
1'3"
0.38 m
2.20 lbs
1.00 kg
3.60"
91.60 mm
9
31.1 mm
–
–
–
–
270°
T1.9
Spherical
Super 35
95 mm
PL
LDS
2'
0.60 m
2.20 lbs
1.00 kg
3.60"
91.60 mm
9
31.1 mm
–
–
–
–
270°
T1.9
Spherical
Super 35
95 mm
PL
LDS
2'3"
0.65 m
2.40 lbs
1.10 kg
3.60"
91.60 mm
9
31.1 mm
–
–
–
–
270°
T1.9
Spherical
Super 35
95 mm
PL
LDS
3'
0.90 m
2.60 lbs
1.20 kg
3.60"
91.60 mm
9
31.1 mm
–
–
–
–
270°
T1.9
Spherical
Super 35
95 mm
PL
LDS
3'3"
1.00 m
2.60 lbs
1.20 kg
3.60"
91.60 mm
9
31.1 mm
–
–
–
–
270°
T1.9
Spherical
Super 35
95 mm
PL
LDS
5'
1.50 m
3.50 lbs
1.60 kg
4.70"
119.00 mm
9
31.1 mm
–
–
–
–
270°
T1.9
Spherical
Super 35
114 mm
PL
LDS
8'6"
2.60 m
5.70 lbs
2.60 kg
6.50"
166.00 mm
9
31.1 mm
–
–
–
–
270°
Image Performance
Handling & Adaptability
The inclusion of a single aspheric optical element makes it visually compatible with both the multi-aspheric Leica Summilux-C and the spherical Leica Summicron-C primes. With nine lenses in six groups and apochromatic correction, outstanding resolution and contrast can be achieved all the way to the edge of the frame.
Iris - Bokeh - Flare
Image Circle
Cinematic Heritage
Links & Downloads
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