The Angรฉnieux brand has defined cinematic zoom lenses since its founding by Pierre Angรฉnieux in Saint-Hรฉand, France in 1935. A pioneer in optical design, the company revolutionized filmmaking in 1956 with the first modern 10x zoom, the 25โ250mm, establishing a legacy of innovation that continues today. Angรฉnieux lenses have earned multiple Academy Awards and are celebrated for their organic rendering, smooth mechanics, and versatility on set. Building on this heritage, Angรฉnieux now offers a complete ecosystem of premium optics, from the Optimo Ultra 12x and Type EZ series to the celebrated Optimo Anamorphic zooms and the Optimo Prime seriesโtheir first entry into high-end primes, designed to complement the iconic zooms with a unified look. Blending tradition with cutting-edge design, Angรฉnieux remains one of the most trusted names in cinema optics.
- Full Frame LF/VV | SphericalVintage Konica Hexanon glass rehoused into cinema housings, offering clean sharpness with a subtle color bias. This results in restrained character that remains adaptable across different grading styles.










What are Konica Cinema Lenses Known For?
Konica, a Japanese optics and camera manufacturer founded in 1873, is remembered as one of the classic names in photographic lens design. While best known for its still photography heritage, Konica lenses have found new life in cinema through professional rehousing, where their distinctive rendering is adapted for motion picture use. The Konica Hexanon series, in particular, is valued for its smooth focus roll-off, natural color reproduction, and pleasing flare characteristics, offering a vintage aesthetic that differs from more commonly used Canon or Nikon glass. Once rehoused into durable PL mounts with standardized mechanics, these lenses provide cinematographers with both reliability and a unique visual signature. By bridging historical craftsmanship with modern usability, Konica lenses remain an appealing choice for filmmakers seeking vintage character in a production-ready form.